the varied first movement structures of Mozart’s piano concertos, few fall into the sonata form with more ease than K488. 2. “Dear Dr. Bob – Relistening to your wonderful 1995 lectures Concert Masterworks I was reminded of an issue which I first considered upon initial study of your analysis of Mozart’s Piano Concerto No. It is one of only two minor-key piano concertos (the other being No. 25 In C Major, K. 503: Allegro Maestoso. Here too the sense of gentle resignation is conveyed as palpably as if this were a missing aria for the Countess from The Marriage of Figaro. This is the third of three Mozart concerto discs Anderszewski has made for Warners, over a long period. Mitsuko Uchida, Piano & ConductorCamerata Salzburg0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai I’ve lived with this album for a few weeks now and each time I hear it I recall Anderszewski’s remark, from the back cover of the disc, in which he describes this as “music of such evident limpidity. Clive Paget recommends an Australian Butterfly, a resurrected Austrian miracle and six of the best from Belgium. 36. The Piano Concerto No. Mozart: Piano Sonata No.9 in D major, K.311 Analysis. Mixed bag of Mozart from Nézet-Séguin’s ongoing series. Mozart: Piano Concertos Nos. Piotr’s heart of Mozart: Polish pianist plumbs the depths in a couple of Classical masterpieces. One of the secondary themes of the concerto's first movement is a march that often reminds people of "La Marseillaise". Girdlestone considers this movement to be very serious-minded. Masterful yet unassuming, fortepianist Geoffrey Lancaster serves up a Mozart recital to treasure. The American mezzo on the team spirit behind a new recording and a role to get her teeth into. Like the first movement, it touches upon the minor; however, it ends assuredly and joyfully. In this Piano Concerto the transposing instruments are Clarinets in A and Horns in A. Mozart completed this work on December 4, 1786, and very likely premiered it the following night in Johann Trattner's Viennese Casino. 20 in D Minor), and one of only three concertos where the first movement is in 3/4 time (the others being No. The tempo marking is in Mozart's catalog of his own works, but not in the autograph manuscript. The music grows abruptly in volume, with the violins ta… Piotr Anderszewski’s recording of Mozart’s Piano Concertos 25 & 27 is Limelight Magazine’s recording of the month in June. Sydney, NSW, 2000. MOZART: Piano Concertos Nos. The concerto has three movements : Allegro maestoso; in common time. 515. By bringing major key and minor key concertos together in this way Anderszewski helped demonstrate the many sides of Mozart’s genius; in a subtler but, Review: Mozart: Piano Sonatas Volume 1 (Orli Shaham), Review: The Messenger (Hélène Grimaud, Camerata Salzburg), Joyce DiDonato on the joys of scheming as you sing, Review: Bach and Mozart: Essays on the Enigma of Genius (Robert L. Marshall), Review: Music in Vienna 1700, 1800, 1900 (David Wyn Jones), Review: Mozart: Sonatas for Fortepiano & Violin, Vol 2 (Isabelle Faust, Alexander Melnikov), Review: Mozart: Piano Sonatas Vol 2 (Jean Muller), Review: Mozart & Beethoven: Violin Sonatas (Richard Tognetti & Erin Helyard), Review: Mozart: Die Zauberflöte (Chamber Orchestra of Europe/Nézet-Séguin), Review: Joy & Desolation (Clarinet Quintets by Mozart, Finzi, Corigliano & Heredia), Read the January/February 2020 issue of Limelight online, Review: The Marriage of Figaro (Opera Australia), Review: Geoffrey Lancaster in Recital (Sydney Symphony Orchestra), Nemanja Radulović: What I’m Listening To This Month. Discover our readers' and critics' favourite artists of 2019, learn about Beethoven's final tempestuous year, and celebrate Musica Viva as it turns 75. For this series, as was his habit, Mozart composed a new piano concerto, the present work in E flat, which he entered in his catalog on December 16. Enter to win tickets to the latest productions around Australia and films on the big screen. Very … Although two more concertos would later follow, this work is the last of what are considered the twelve great piano concertos written in Vienna between 1784 and 1786. This theme dominates the development section. Last week we stepped into the strange, mysterious world of Beethoven\'s Late string quartets, music which stylistically leaves behind everything that came before and offers up profound and timeless revelations. The recording is on the dry side but in a sense that works to the album’s advantage, since it spotlights the symbiosis at work between orchestra and soloist/director. Piano Concerto No 20 in D minor, K 466, was completed on February 10, 1785, and was premiered the next day at the Mehlgrube concert hall in Vienna, with the composer as the soloist. It is often viewed as a "kindred spirit" or "the rival and the complement" of Mozart's great C minor piano concerto, K. 491, completed a few months prior. Mozart's Piano Concerto No. When the clarinet and horn player reads a C, the actual sound from his instrument is an A. therefore when he plays a G, the actual sound is E etc Piano Concerto No. [3] The expansive first movement (in sonata form) is one of Mozart's most symphonic concerto movements. Allegro maestoso; in common time. Lean, mean period takes on Mozart’s sonatas from a dedicated duo. 3. A rich, entertaining “slice history” of musical Vienna. There are many moments of surprise and delight: the sense of the curtain rising at the opening of No 25, Anderszewski’s grand but playful cadenza for this movement, the boisterous elegance of that concerto’s finale, and the “joy through tears” of the piano’s first entry in No 27. One of the many delights of this album is hearing Anderszewski and his marvellous band explore every corner of these pieces for expressive possibilities, and yes the results can be simultaneously operatic and intimate. Russian soprano displays her Mozart credentials and more. A multi-faceted attempt to unravel the mystery of musical genius. 20, 21, 25 & 27. 25 in C major, K. 503, International Music Score Library Project, List of compositions by Wolfgang Amadeus Mozart, https://en.wikipedia.org/w/index.php?title=Piano_Concerto_No._25_(Mozart)&oldid=999260028, Piano concertos by Wolfgang Amadeus Mozart, Pages using infobox musical composition with unknown parameters, Articles with German-language sources (de), Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 January 2021, at 07:53. By bringing major key and minor key concertos together in this way Anderszewski helped demonstrate the many sides of Mozart’s genius; in a subtler but no less dramatic way the pairing here of No 25 – celebratory, ebullient, confident – with Mozart’s last concerto, No 27 – restrained, delicate, autumnal – does the same, but particularly because of the exploratory nature of these readings. The third movement is a sonata-rondo that opens with a gavotte theme from Mozart's opera Idomeneo. In both the autograph score and in his personal catalog, Mozart notated the meter as Alla breve. Rondo [1] Chronologically the work is the 21st of Mozart's 23 original piano concertos. Fun, exuberant, lovely, and pleasant are words that … The tranquil second movement is in sonata form, but lacks a development section. The Piano Concerto No. Mozart does many inventive and unconventional things with the harmonic progressions and non-chordal embellishments for his time period, which calls for special attention to certain areas. From Rattle’s Mozart to English alt-rock band Muse, these are the four albums the energetic violinist is listening to this month. Friedrich Gulda (piano), Wiener Philharmoniker, Claudio Abbado K. 503 is now widely recognized as "one of Mozart's … The concerto has the following three movements: While the concerto is frequently compared to the Jupiter Symphony, Girdlestone considers its closest parallel to be the String Quintet in C, K. The two works are very different …No 25 is very grand, complex and sophisticated; No 27, Mozart’s final piano concerto, is in a major key, but underneath it I sense an incredible sadness … It always amazes me how deep this music is.”" 25 in C major, K. 503, was completed by Wolfgang Amadeus Mozart on December 4, 1786, alongside the Prague Symphony, K. 504.Although two more concertos (K. 537 and K. 595) would later follow, this work is the last of what are considered the twelve great piano concertos written in Vienna between 1784 and 1786. "[5], According to Simon P. Keefe, K. 503 is now regarded "by common consent one of Mozart's greatest masterpieces in the concerto genre." This is the third of three Mozart concerto discs Anderszewski has made for Warners, over a long period. [3] Mozart's pupil Johann Nepomuk Hummel valued it, as can be seen in the influence it had on Hummel's own Piano Concerto in C, Op. Mozart’s Last Piano Concerto August 5, 2019 November 30, 2015 by Timothy Judd Last week we stepped into the strange, mysterious world of Beethoven’s Late string quartets, music which stylistically leaves behind everything that came before and offers up profound and timeless revelations. Tesla Quartet and Alexander Fiterstein bring a breath of fresh air to programming the clarinet quintet. The Piano Concerto No. 11 and No. The genius of these performances lies in their seeming spontaneity, which is clearly the result of a profound exploration of the many layers of meaning to be found here. MOZART: SYMPHONY NO. By Wolfgang Amadeus Mozart Ronald Brautigam, ... Mozart: Piano Concertos Nos. A Psychological analyses of Mozart's Piano Concerto No. HIPster Mozart and Beethoven at its finest. 1. 25 in C Major, K. 503: I. Allegro maestoso. 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