The cello played by Stern was the 1684 "General Kyd", one of only about 60 cellos made by Stradivarius. I give you my work only if you will promise me that no one – not even my friend Wihan – shall make any alteration in it without my knowledge and permission, also that there be no cadenza such as Wihan has made in the last movement; and that its form shall be as I have felt it and thought it out. The composer then at first refused to come for the concert. The Cello Concerto in B minor, Op. Hanuš Wihan, among others, had asked for a cello concerto for quite some time, but Dvořák always refused, stating that the cello was a fine orchestral instrument but totally insufficient for a solo concerto. 104Antonín Dvořák b. Nelahozeves, Bohemia / September 8, 1841; d. Prague, Bohemia / May 1, 1904. Cello Concerto in B Minor, Op. The solo cello ends with trills on a high B. 9 tracks (68:17). The first movement starts softly, with the clarinets introducing the theme. Listen free to Antonín Dvořák – Dvořák: Cello Concerto (Cello Concerto in B minor, Op. Dvořák wrote the concerto while in New York City for his third term as the Director of the National Conservatory. © 2020 - Arkansas Symphony Orchestra. Cambridge University Press, Cambridge, 1999. 191: I. Allegro", "Cello Concerto in B Minor, … The reason is I have promised to my friend Wihan – he will play it. The concerto is accompanied on the album by 5 arrangements for cello solo and cello ensemble (six cellists of the Staatskapelle Berlin) of well-known single pieces from various larger Dvořák works. A quasi-cadenza for the soloist, with light accompaniment, precedes a return to the opening subject and a peaceful, contented coda. 104 Antonín Dvořák b. Nelahozeves, Bohemia / September 8, 1841; d. Prague, Bohemia / May 1, 1904. One was the homesickness he had harbored since he left his beloved homeland. The solo cello enters by playing the modified main theme loudly which is marked risoluto. Dvořák agreed and proposed to conduct the premiere of his Cello Concerto with Wihan as soloist. Listen to Dvořák: Cello Concerto, Serenade for Strings & Nocturne in B Major by Cologne New Philharmonic Orchestra & Volker Hartung on Apple Music. The cello enters and a gradual decrescendo to another restatement of the theme marked piano. Vervollständigen Sie Ihre Dvořák*, Piatigorsky* / Munch* and Boston Symphony Orchestra-Sammlung. She died in May 1895, one month after he resettled in Europe. August 2020 "Bitte wiederholen" 10,71 € 10,71 € — Audio-CD, 7. 12–13 Minuten In diesem weitgehend ruhigen Satz zitiert Dvořák sein Lied „Lasst mich allein“ (op. After the London performance, Stern again played the solo part in what may have been the second public performance, in Prague on 11 April 1896, and later again in London. It was written in 1894 for his friend, the cellist Hanuš Wihan, but was premiered by the English cellist Leo Stern. He proved too industrious an adviser, making more revisions and additions than the composer wanted. No. "Berger was horrified and greatly embarrassed," as the concert had already been advertised. A fast scale leads into a loud tutti section presenting new material. 10). Informationen zum Album Cellokonzert H-Moll Op. 104. Dvořák's original score, before he accepted a few of the numerous changes suggested by Hanuš Wihan, has been described as "much more musical", and this version has been performed from time to time. The Cello Concerto in B minor, Op. One author[4] suggests that there was little American influence on the concerto. The full orchestra later plays the theme in a grandioso manner, leading to a horn solo which introduces the secondary, lyrical theme. In a letter to a friend, Dvořák wrote that he himself was probably most surprised by his decision to write a cello concerto despite these long held reservations. In December 1896 and during 1897–1898 the concerto was performed by a few cellists and conductors in England and the United States, including Stern in Chicago in January 1897. Stern traveled to Prague to prepare his performance under Dvořák's supervision. He handed the cello score (with piano accompaniment) over to Peer for review but neither bothered to finish the piece. But Dvořák accepted only a few minor changes and neither of the cadenzas. Allegro moderato (= 104) Year/Date of Composition Y/D of Comp. Still another inspiration was cellist Hanuš Wihan. 104, B. 191: II. 104 von Antonin Dvorak, welches eines der berühmtesten dieser Gattung in der Musikgeschichte und das wohl bekannteste Werk des Komponisten ist. Herbert's middle movement was in B minor, which may have inspired Dvořák to write his concerto in the same key. [15] Some of Dvořák's music written in America, such as the American String Quartet, written in Spillville, Iowa, and the New World Symphony, was notably influenced by the American environment, specifically pentatonic scales used in African-American and Native American music. Clapham, John. The finale, he wrote, should close gradually with a diminuendo "like a breath ... then there is a crescendo, and the last measures are taken up by the orchestra, ending stormily. 104. [2] Dvořák heard at least two performances of the piece and was inspired to fulfill Wihan's request in composing a cello concerto of his own. Phone: 501-666-1761 | Email: info@Arkansassymphony.org. Geoffrey Robson - Interim Artistic Director, Arkansas Symphony Orchestra Community Orchestra. 30, and premiered it in a series of concerts, commencing on 9 March. Wihan went on to perform the concerto with great success, first in January 1899 at The Hague, and later for the first time under Dvořák's baton in Budapest on 20 December 1899. 104 ‎ (LP, Album) RCA Victor Red Seal: SB 2114: UK: 1961: Sell This Version According to Josef Michl, Dvořák was fond of the middle register, but complained about a nasal high register and a mumbling bass. (1993), Smaczny, 1999, p. 90, with slightly different translation into English, Florence May, "Johannes Brahms" Vol 2, Munich 1983, p. 301, Florence May, "Johannes Brahms" Vol 2, Munich 1983, p. 303, Emmanuel Rubin, "Dvořák at the National Conservatory," Chapter 6 of Tibbets (ed., 1993), p. 71, Yoell, John H., "Dvořák in America: A Discography," Appendix C of Tibbets (ed.) It was recovered from his estate in 1925. Then the cello enters with a melody played on the A string played with thirty-second notes on the D string. 191: I. Allegro", "Cello Concerto in B Minor, Op. Three decades before, Dvořák had been in love with Josephina Čermáková, an aspiring sixteen-year-old actress to whom he gave piano lessons. While he was composing the second movement of this concerto, a letter from Josephina revealed that she was gravely ill. Dvořák gives the middle section a powerful launch, then takes up a soaring melody from Josephina’s favorite song. Info for Dvořák: Cello Concerto. This page was last edited on 21 January 2021, at 23:19. The piece was written for Ludevít Peer, whom he knew well from the Provisional Theatre Orchestra in which they both played. The first theme of the opening movement – sombre, almost funereal – soon bursts forth into forceful expressiveness. Dvořák, Antonín: Violoncellový koncert op. Dvorak's Cello Concerto is certainly a very special piece for me, it's really a piece that I have known all my listening life, even if not thoroughly realizing it. Antonín Dvořák Concerto for Cello in b minor. The remains of many past meals were strewn around the room, where he had been barricaded, probably for several days. Among all cello concertos, Dvořák's has been called "supreme,"[17] "the greatest",[4][18] and the "king. The movement ends tutti with the restatement of the first theme marked grandioso and fortissimo. 412–414, "Dimitry Markevitch, Some Thoughts on More Rational Cello Fingerings", https://www.yo-yoma.com/sounds-symphonies-archive/great-cello-concertos/, International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Cello_Concerto_(Dvořák)&oldid=1001912687, Music dedicated to ensembles or performers, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, Mischel Cherniavsky, cello; October 18, 1943; Music Hall Theatre, Seattle. The ASO exists to connect, enrich, inspire and advance Arkansas through the power of music. The reception was "enthusiastic". Kian Soltani veröffentlicht auf Deutsche Grammophn das Cellokonzert h-moll Op. The slow second movement opens with a warm, tranquil theme introduced by the woodwinds. Listen to Dvorák, Elgar: Cello Concertos by Jacqueline du Pré on Apple Music. Dvořák's concerto received its premiere in London on 16 March 1896, with the English cellist Leo Stern. The Dvořák Cello Concerto is, without doubt, the king of all cello concertos. For the Cello Concerto such influence is less clear. [10] Francesco Berger, Secretary of the London Philharmonic Society, wrote to Dvořák in November 1895 to invite him to conduct a concert of some of his works in London. 104 (2005) von Antonín Dvořák Info zu Dvořák: Cello Concerto. In 1894 one of the teachers at the Conservatory, Victor Herbert, also a composer, finished his Cello Concerto No. [9] Although he had rejected most of Wihan's suggested changes, Dvořák still very much wanted Wihan to premiere the work publicly and had promised him that role. Solo horn introduces the second theme. 104, B. Yet it has suffered an unfortunate history, no single score coming even close to Dvořák’s final intentions. Following this opening essay is the lengthy Adagio, a lyrical movement which features a cadenza-like section which is accompanied mainly by flutes. 16 instead of Op. There are many compositions for cello and orchestra by various composers, but there are none, for example, by J. S. Bach, Mozart, Beethoven, or Brahms (not counting Beethoven's "Triple" Concerto or Brahms' "Double"). Kian Soltani veröffentlicht auf Deutsche Grammophn das Cellokonzert h-moll Op. Adagio ma non troppo" and more. 104, B. 104 von Antonin Dvorak, welches eines der berühmtesten dieser Gattung in der Musikgeschichte und das wohl bekannteste Werk des Komponisten ist. The work is relatively forgiving of such treatment, with melodies, that once heard, reside in the mind forever and need only to be refreshed. Cat# Artist Title (Format) Label Cat# Country Year 191: I. Allegro, Cello Concerto in B minor, Op. 191, is the last solo concerto by Antonín Dvořák. The orchestra plays the new modified theme again. Become an ASO Insider today - click to join! Nr. Cello Concerto / Rokoko-Variationen von Antonín Dvořák + Pjotr Iljitsch Tschaikowski als Split-CD, mit Tracklist und weiteren Infos Smaczny, Jan. Dvořák: Cello Concerto. The Cello Concerto op. Notable recordings include performances by Pablo Casals, Emanuel Feuermann, Pierre Fournier, Gregor Piatigorsky, Jacqueline du Pré, Bernard Greenhouse, Leonard Rose, Johannes Moser, Truls Mork, Mischa Maisky, and Steven Isserlis. 191, is the last solo concerto by Antonín Dvořák. 104, B. IAD 11 Key B minor Movements/Sections Mov'ts/Sec's: 3 movements Allegro (= 116) Adagio ma non troppo (= ca.100) Finale. Lento - Allegro molto (1995 Remastered Version)" and more. A few weeks later, he revised the final pages of the concerto’s finale to include a second quotation from the song, this time as a memorial tribute. Dvořák: Cello Concerto "Bitte wiederholen" Amazon Music Unlimited: Preis Neu ab Gebraucht ab MP3-Download, 7. Another was the second cello concerto of Victor Herbert, whose premiere Dvořák attended in March 1894. Berger proposed the date 19 March 1896, but that date was not convenient for Wihan (it may have clashed with concert dates for the Bohemian Quartet, to which Wihan was already contracted). Dvořák said that it had cost him a great deal of effort, but that it moved him profoundly every time he heard it. Even though she rejected his romantic advances, he retained a powerful affection for her. This is followed by another quiet and slow section which uses material from the first movement and second movement. Lesen Sie Rezensionen und Empfehlungen und informieren Sie sich über Tracklisten, beteiligte Personen und Weiteres. This greatest of all cello concertos was the final piece that Dvořák composed during his three-year term as Director of the National Conservatory of Music in New York. Herbert had been principal cellist in the orchestra that premiered Dvořák's "New World" Symphony[2] on 16 December 1893. Hanuš Wihan first privately performed the concerto with the composer in Lužany in September 1895. 1, a favorite of hers. 404-417; on the cello concerto, pp. 2 in E minor, Op. By early March, all was agreed, and the premiere took place on 19 March in Queen's Hall, London, with Dvořák conducting. In her honor, he quoted, in the middle section of this movement, the melody of Leave Me Alone in My Fond Dream, his song which was a particular favorite of hers. It opens with the horn playing the main theme quietly. [20], For Dvořák's early and unorchestrated cello concerto, see, Performed by Hans Goldstein with the Milwaukee Youth Orchestra, Battey, Robert, "Thoughts of Home," Chapter 22 of Tibbets (ed.) "[16] Although the time is not specified, it might be understandable that in the later part of his sojourn at the Conservatory, when his salary had been cut and still not paid regularly, Dvořák could have felt less obligation to his duties. (Violoncello e piano) Praha: Editio Bärenreiter, 2004. The concerto concludes on an exultant note. The first theme is played throughout the movement and during the last part of the third movement, giving the concerto a cyclic structure. Arkansas Symphony Orchestra (501) 666-1761    |   info@ArkansasSymphony.org2417 N Tyler StLittle Rock, AR 72207. This is followed by a contrasting, loud restatement of the theme played by woodwinds accompanied by strings and brass. The front cover incorrectly lists the Dvořák cello concerto as Op. 104, B. Strong contrasts characterize the finale, from the stern opening theme in march rhythm, through a wistful subject strongly inflected with the spirit of Czech folk music, to an expansive, elegiac reverie where themes from the previous movements reappear briefly. János Starker also recorded the work three times: with the Philharmonia Orchestra and Walter Susskind for Angel/EMI, with Antal Doráti and the London Symphony Orchestra for Mercury, and with Leonard Slatkin and the St. Louis Symphony Orchestra for RCA Victor Red Seal. Inspiration flowed from several sources. Stream songs including "Cello Concerto in B Minor, Op. (1993), pp. 82, B.157, No. Stream songs including "Cello Concerto in E Minor, Op. Stream songs including "Cello Concerto in B Minor, Op. Antonín Dvořák composed over 200 works, most of which have survived. Inspiration flowed from several sources. The solo cello begins with a quasi improvisando section stating the theme in B major followed by triple-stopped chords. The premiere took place in London on March 16, 1896, with the composer conducting and Leo Stern as soloist. However, once the manuscript eventually turned up—it is now in the British Library—it was inevitable that it would be published. 104, B. Dvořák decided then and there to compose a cello concerto of his own (30 years earlier, he had left his first attempt at writing one unfinished). A donation to ASO puts instruments in the hands of children, makes live symphonic music accessible to all Arkansans, and makes it possible for world-class musicians to call Arkansas home. [3] It was started on 8 November 1894 and completed on 9 February 1895. 104 is a perennial audience favorite, and many cellists play and even record it with conductors with whom they may only have a passing acquaintance. 104 is one of Dvorák’s most famous cello concertos and numbers among his best known works, but what is not so well known is that already in 1865 he had composed a Cello Concerto in A major (without opus number). An account of the sequence of events whereby it did not happen is given by Clapham. [11] Despite there having been so many public performances before Wihan's first, he and Dvořák remained firm friends. Adagio ma non troppo and more). The final movement is formally a rondo. That was my idea, and from it I cannot recede".[8]. [12] In 1896, Robert Hausmann had played it at his home with Brahms' piano accompaniment, and Brahms is reported as saying: "If I had known that it was possible to compose such a concerto for the cello, I would have tried it myself! They include nine symphonies, ten operas, four concertos and numerous vocal, chamber and keyboard works. [6] She died in May 1895, after which the concerto was further revised.[7]. This concerto requires a lot of technical ability, especially in the coda, where the cello plays octaves and many double stops. Clapham conjectures that Wihan released Dvořák from his promise. 85: I. Adagio - Moderato (1995 Remastered Version)", "Cello Concerto in E Minor, Op. Gregor Piatigorsky, Antonín Dvořák: Gregor Piatigorsky, Antonín Dvořák - Dvořák*, Piatigorsky* / Munch* and Boston Symphony Orchestra ‎– Cello Concerto ‎ (4xLP, S/Sided, Ltd, RE, RM) Classic Records, RCA Victor Red Seal: LSC 2490: US: Unknown: Diese Version verkaufen "[13] On 7 March 1897, Brahms heard Hugo Becker's performance of the piece in a concert of the Vienna Philharmonic, and he said to his friend Gänsbacher before the concert: "Today you will hear a real piece, a male piece!"[14]. Listen to Dvořák: Cello Concerto by Kian Soltani, Staatskapelle Berlin & Daniel Barenboim on Apple Music. Dvořák's friend and mentor Johannes Brahms had written a double concerto for violin and cello in 1887, eight years before Dvořák's cello concerto. Cello Concerto No.2 Alt ernative. Antonín Leopold Dvořák (/ d ... attended at least two performances of Victor Herbert's cello concerto and was inspired to fulfill Wihan's request for a cello concerto. Barenboim. The concerto was published in 1896 by N. Simrock, Berlin. Discover releases, reviews, track listings, recommendations, and more about Daniil Shafran*, Robert Schumann, Antonín Dvořák, State Symphony Orchestra*, Kyrill Kondrashin*, Estonia Symphony Orchestra*, Neeme Järvi - Cello Concertos at Discogs. Title Composer Dvořák, Antonín: Opus/Catalogue Number Op./Cat. The piece is scored for a full romantic orchestra (with the exception of a 4th horn), containing two flutes (second doubling piccolo), two oboes, two clarinets, two bassoons, three horns, two trumpets, three trombones, tuba, timpani, triangle (last movement only), and strings, and is in the standard three-movement concerto format: Total duration: approximately 40 minutes. Antonin Dvořák 's Cello Concerto in B minor, Op. He offered to assist with the creation of the solo part. Dauer ca. Antonín Dvořák: Cello Concerto in B minor This is one of the two most performed cello concertos in the world (the other being by Elgar) and with such a story to tell that it would make a … This greatest of all cello concertos was the final piece that Dvořák composed during his three-year term as Director of the National Conservatory of Music in New York. He corrected the proofs of Dvořák's concerto for the composer and hence he knew the work intimately from the score. This fast section leads into a section marked poco meno mosso, dolce, and piano. Another author tells a story that one day when Dvořák was in New York but not at the Conservatory, said to be ill, a visitor to his home found him there composing. He ended up doing as Haydn and Mozart had done, and married his beloved’s sister instead. 82. H 1200. Cello Concerto in B Minor, Op. The movement ends with the cello playing harmonics very quietly. The third movement was a tribute to his sister-in-law, Josefina Kaunitzova, née Čermakova, who had written him a letter in November 1894 saying she was seriously ill.[5] Specifically, the slow, wistful section, before the triumphant ending, quotes his song "Leave Me Alone (Kéž duch můj sám)", Op. The concerto has been recorded by nearly every well-known cellist. Das Cello setzt in diesem Satz für ein Konzert relativ spät und plötzlich ein und entwickelt eigene melodische Linien, die mit den vorgestellten Themen wenig zu tun haben, es entwickelt sich ein Dialog zwischen Orchester und Soloinstrument. Hanuš Wihan performed the concerto shortly thereafter. 104, B. August 2020 "Bitte wiederholen" 14,58 € 11,15 € — Streamen Unlimited MP3 10,71 € Anhören mit unserer kostenlosen App. The cello plays double stops accompanied by left-hand pizzicato on open strings. Dvořák: Cello Concerto | Antonín Dvořák von Kian Soltani – Zum Download und Streaming auf Qobuz.com Every dollar counts, and each donation helps ensure a sustainable, thriving future for ASO. Mstislav Rostropovich made four commercial recordings on western labels (with Adrian Boult and the London Philharmonic Orchestra for EMI; with Herbert von Karajan and the Berlin Philharmonic for Deutsche Grammophon; with Carlo Maria Giulini and the London Philharmonic for EMI; and with Seiji Ozawa and the Boston Symphony Orchestra for Erato). "[19] But other concertos have advocates. In 1865, early in his career, Dvořák started a Cello Concerto in A major (B. Meehae Ryo - Cello. All Rights Reserved. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. His most famous pieces of music include the Ninth Symphony (From the New World), the Cello Concerto, the American String Quartet, the Slavonic Dances, and the opera Rusalka. "Antonín Dvořák, Musician and Craftsman". 191: II. Cambridge Music Handbooks. Perhaps he considered her the closest substitute he could find. It was written in 1894 for his friend, the cellist Hanuš Wihan, but was premiered by the English cellist Leo Stern.[1]. 85: II. Adagio, ma non troppo. After a longer absence, he returns to the NDR Elbphilharmonie Orchestra to play under the baton of chief conductor Alan Gilbert what is probably the most popular cello concerto of all time: the B minor work by Antonín Dvořák. Antonin Dvorak’s letter to Francesco Berger, 14 February 1896 (see fig. Yo-Yo Ma's recording of five "Great Cello Concertos" includes Dvořák's, Elgar's, one of Haydn's, Saint-Saëns' first, and Schumann's. [4], After seeing the score, Hanuš Wihan made various suggestions for improvement, including two cadenzas, one at the end of the third movement. Dvořák had composed three brief works for him, but what Wihan really wanted was a full-scale concerto. Op.104 ; B.191 I-Catalogue Number I-Cat. Dvořák never orchestrated the A major Concerto, and when Peer later moved to Germany he took the cello-and-piano manuscript with him; Dvořák probably assumed that it had been lost. The Philharmonic Society insisted on the date and hired the English cellist Leo Stern without consulting Dvořák. Erfahren Sie mehr über Veröffentlichungen von Dvořák*, Piatigorsky* / Munch* and Boston Symphony Orchestra - Cello Concerto auf Discogs. A crescendo and accelerando leads into a fast arpeggio played in sixteenth-note triplets. No. Passing through much drama, the movement concludes with ringing fanfares. He is regarded as one of the world's leading performers on his instrument: French cellist Gautier Capuçon. Other Versions (1 of 1) View All. Dvořák*, Piatigorsky* / Munch* and Boston Symphony Orchestra: Dvořák*, Piatigorsky* / Munch* and Boston Symphony Orchestra - Cello Concerto , Op. St. Martin's Press, New York, 1966. Yo-Yo Ma recorded Dvořák's cello concerto three times, in 1986, 1995, and 2017. A gradual crescendo leads into a dramatic woodwinds and strings section. This is followed by a moderato section in C major and eventually meno mosso which slowly modulates from A major to C♯ major to B♭ major and finally goes to the original tempo in B major. The concerto ends allegro vivo presented by full orchestra. The cello then plays the theme again in E major. After the resolution by the solo cello, there is a modulation in which the winds play an E-flat minor chord, changing the key. 1894-95 (November 8 to February 9) First Perf ormance. above): “My dear friend Berger, I am sorry to announce you that I cannot conduct the performance of the cello concerto. , which May have inspired Dvořák to write his concerto in the same key said that it moved him every!, Berlin Dvořák had been barricaded, probably for several days in Europe movement! Last part of the National Conservatory forceful expressiveness of the theme in Minor! Concerto for the soloist, with the Cello playing harmonics very quietly: I. Adagio - moderato ( 1995 Version! By Clapham doing as Haydn and Mozart had done, and premiered it in a major B! His third term as the Director of the first movement starts softly, with the restatement the... A dramatic woodwinds and strings section, tranquil theme introduced by the woodwinds movement which a! Commencing on 9 February 1895 Herbert, whose premiere Dvořák attended in March 1894 concerto Antonín! To write his concerto in the same key manner, leading to a horn which... Concert had already been advertised Society insisted on the date and hired the English cellist Stern... No single score coming even close to Dvořák ’ s sister instead Cello score ( with piano )! Munch * and Boston Symphony Orchestra-Sammlung theme again in E Minor, Op crescendo and accelerando leads a... ) View All very quietly have survived Dvořák b. Nelahozeves, Bohemia / September 8, ;! Library—It was inevitable that it would be published and accelerando leads into a loud tutti section presenting New material days... May 1895, after which the concerto was further revised. [ 8 ]:! Wihan – he will play it a letter from Josephina ’ s instead... By a contrasting, loud restatement of the third movement, giving concerto! Few Minor changes and neither of the theme marked grandioso and fortissimo on open strings January! 'S middle movement was in B major followed by a contrasting, loud of. Then the Cello concerto in the Orchestra that premiered Dvořák 's Cello concerto the! February 1895 numerous vocal, chamber and keyboard works this page was edited. Started on 8 November 1894 and completed on 9 February 1895 the score concerts videos... 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Simrock, Berlin both played the reason I..., leading to a horn solo which introduces the secondary, lyrical theme 191, is lengthy. Enrich, inspire and advance Arkansas through the power of music cat Artist... Editio Bärenreiter, 2004 Country Year Cello concerto no the secondary, lyrical theme and piano Cello. His beloved ’ s favorite song had harbored since he left his beloved homeland it. 'S middle movement was in B Minor, Op and Dvořák remained firm friends Rezensionen und und!

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